Flemish Northern Renaissance Painter, ca.1395-1441 Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.   Related Paintings of EYCK, Jan van :. | The Just Judges | Portrait of a Young Man (Tymotheos) de | Angel of the Annunciation | Adoration of the Lamb (detail) | The Madonna with Canon van der Paele (detail) sd |
Related Artists:
Jan Van Kessel
1626-1679 Dutch Jan Van Kessel Gallery Dutch painter and draughtsman. He was a follower, and probably a pupil, of Jacob van Ruisdael and covered the same range of subjects painted by Ruisdael, with the exception of marine paintings. However, van Kessel is best known for his townscapes and panoramic views, as exemplified by the Sluice and the New City Ramparts of Amsterdam in Winter (Amsterdam, Hist. Mus.) and the Bleaching Grounds near Haarlem (Brussels, Mus. A. Anc.). He imitated the water-mills and village scenes of his friend Meindert Hobbema, as well as the waterfalls of Allaert van Everdingen, the wooded landscapes of Jan Wijnants and the winter scenes of Jan van de Cappelle. Many of van Kessel's 120 surviving pictures, including The Avenue (Stuttgart, Staatsgal.) and the Ford in the Woods (Dresden, Gem?ldegal. Alte Meister), were once attributed to van Ruisdael and these other masters (often with an authentic signature covered by the better-known name). Van Kessel is also frequently confused with other minor artists in van Ruisdael's circle, especially Jan Vermeer van Haarlem the younger, Isaac Koene (1637/40-1713), Jacob Salomonsz. van Ruysdael (1629/30-1681) and Anthonie van Borssom. As a draughtsman, van Kessel emulated van Ruisdael's mature style, working almost exclusively in black chalk and grey wash. The best of his 70 drawings are townscapes, although his studies of trees and depictions of farmsteads are noteworthy. A number of correlations exist between his sketches and paintings. There is no known relationship with the Flemish artists of the same name.
Robert Dampier
(1799 - 1874) was a British artist and clergyman. Dampier was born in 1799 at the village of Codford St Peter in Wiltshire, England He was baptised on the 20th of Dec. 1799 (LDS IGI record batch # C014402). He was one of 13 children of Codford St Peter's rector Reverend John Dampier (1763-1839) and his wife Jane. In 1819 he went to Rio de Janeiro in Brazil as a clerk. In 1825, he was picked up in Rio to be the expedition artist on the English ship HMS Blonde under the command of Captain George Anson Byron. The ship was returning the bodies of King Kamehameha II and Queen Kamemalu to the Hawaiian islands (known by the British as "Sandwich Islands"), after both died from measles during a visit to England. Robert Dampier spent 11 weeks in Hawaii painting portraits in oil paint and making pencil drawings of landscapes. After returning to England, he studied law at Cambridge University and then was ordained in the Church of England. He married Sophia Francis Roberts in 1828. In 1837 he became rector of Langton Matravers church. Circa 1843 they had a daughter Juliana Sophia, His wife Sophia died in 1864, and he married again in 1872. He had a daughter Frederika from the second marriage. Although employed a rector, he continued to sketch until his death in 1874. Major works by Robert Dampier are held by the Honolulu Academy of Arts and Washington Place, also in Honolulu, Hawaii.
Ker xavier roussel
French Nabi Painter, 1867-1944 was a French painter associated with Les Nabis. Born François Xavier Roussel in Lorry-les-Metz, Moselle, at age fifteen he studied at the Lycee Condorcet in Paris; alongside his friend Édouard Vuillard, he also studied at the studio of painter Diogene Maillart. In 1888 he enrolled in the École des Beaux-Arts, and soon began frequenting the Academie Julian where Maurice Denis and other students formed the group Les Nabis. He is best known for paintings of French landscapes usually depicting women, children, nymphs and fauns in bucolic settings. In 1899, Roussel, Vuillard, and another close friend, Pierre Bonnard, traveled to Lake Como, Venice and Milan. In 1926 Ker-Xavier Roussel won the Carnegie Prize for art. Ker-Xavier Roussel died in 1944 at his home in L'Étang-la-Ville, Yvelines. Roussel is mentioned in Gertrude Stein's Autobiography of Alice B. Toklas, chapter 3. There she recounts an exchange he had with Theodore Duret in Vollard's shop at an uncertain date after 1904.